Born December 18, 1963, in Shawnee, Oklahoma. Pitt grew up in  Springfield, Missouri, the eldest of three children in a devoutly  Southern Baptist family. His father, Bill Pitt, owned a trucking company  and his mother, Jane Pitt, was a family counselor. Pitt originally  aspired to be an advertising art director, studying journalism at the  University of Missouri. However, the young college student had other  quiet aspirations, the product of a childhood love of movies, which  finally seemed tangible his last semester at university when he  realized, "I can leave." On a whim, Pitt dropped out of college, packed  up his Datsun, and headed West to pursue an acting career in Los  Angeles, just two credits shy of a college degree.
Pitt told his  parents he intended to enroll in the Art Center College of Design in  Pasadena, but instead spent the next several months driving a  limousine—chauffeuring strippers from one bachelor party to the next,  delivering refrigerators, and trying to break into the L.A. acting  scene. He joined an acting class and, shortly after, accompanied a  classmate as her scene partner on an audition with an agent. In a twist  of fate, the agent signed Pitt instead of his classmate. After  weathering only seven months in Los Angeles, Pitt had secured an agent  and regular acting work.
Pitt's first jobs came in television, appearing in episodes of Dallas, the daytime soap Another World, the sitcom Growing Pains, and in 1990's short-lived Fox Television series, Glory Days.  In 1989, Pitt played Billy Canton, the drug-addicted pimp of a teenage  runaway, played by Juliette Lewis, in the NBC made-for-television movie Too Young to Die. Pitt and Lewis (9 years his junior at age 16) started dating and eventually moved in together.
Pitt made his big screen debut in 1989's horror/slasher film Cutting Class with Donovan Leitch, and played a teen track star in Sandy Tung's Across the Tracks,  but it was a well-timed bit part in a controversial Hollywood film that  pushed him into the glare of instant stardom. Pitt's performance as a  renegade, sugar-tongued hitchhiker who gets picked up by the two title  characters in Ridley Scott's Thelma and Louise  (1991) grabbed universal attention despite only a few minutes worth of  screen time. Pitt's combination of charming bad boy charisma and sexual  playfulness (particularly in a fiery love scene with Geena Davis) secured him as a genuine sex symbol (and wore out the rewind button on many a VCR).
Pitt's  next few films failed to boost his acting credibility and establish him  as more than just a pretty face in Hollywood. He appeared in The Favor (1992) with Elizabeth McGovern, Tom CiCillo's directorial debut, Johnny Suede (1992), and the unconvincing, half-animated Cool World (1992).

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